Cesar Milan's body language communicates to dogs and humans that he is the leader.
"When Cesar walked down the stairs of Patrice and Scott's home then, and crouched down in the back yard, JonBee looked at him, intently. And what he saw was someone who moved in a very particular way. Cesar is fluid. "He's beautifully organized intra-physically," Karen Bradley, who heads the graduate dance program at the University of Maryland, said when she first saw tapes of Cesar in action. "That lower-unit organization—I wonder whether he was a soccer player." Movement experts like Bradley use something called Laban Movement Analysis to make sense of movement, describing, for instance, how people shift their weight, or how fluid and symmetrical they are when they move, or what kind of "effort" it involves. Is it direct or indirect—that is, what kind of attention does the movement convey? Is it quick or slow? Is it strong or light—that is, what is its intention? Is it bound or free—that is, how much precision is involved? If you want to emphasize a point, you might bring your hand down across your body in a single, smooth motion. But how you make that motion greatly affects how your point will be interpreted by your audience. Ideally, your hand would come down in an explosive, bound movement—that is, with accelerating force, ending abruptly and precisely—and your head and shoulders would descend simultaneously, so posture and gesture would be in harmony. Suppose, though, that your head and shoulders moved upward as your hand came down, or your hand came down in a free, implosive manner—that is, with a kind of a vague, decelerating force. Now your movement suggests that you are making a point on which we all agree, which is the opposite of your intention. Combinations of posture and gesture are called phrasing, and the great communicators are those who match their phrasing with their communicative intentions—who understand, for instance, that emphasis requires them to be bound and explosive. To Bradley, Cesar had beautiful phrasing."
Cesar Milan's body language communicates to dogs and humans that he is the leader.
"When Cesar walked down the stairs of Patrice and Scott's home then, and crouched down in the back yard, JonBee looked at him, intently. And what he saw was someone who moved in a very particular way. Cesar is fluid. "He's beautifully organized intra-physically," Karen Bradley, who heads the graduate dance program at the University of Maryland, said when she first saw tapes of Cesar in action. "That lower-unit organization—I wonder whether he was a soccer player." Movement experts like Bradley use something called Laban Movement Analysis to make sense of movement, describing, for instance, how people shift their weight, or how fluid and symmetrical they are when they move, or what kind of "effort" it involves. Is it direct or indirect—that is, what kind of attention does the movement convey? Is it quick or slow? Is it strong or light—that is, what is its intention? Is it bound or free—that is, how much precision is involved? If you want to emphasize a point, you might bring your hand down across your body in a single, smooth motion. But how you make that motion greatly affects how your point will be interpreted by your audience. Ideally, your hand would come down in an explosive, bound movement—that is, with accelerating force, ending abruptly and precisely—and your head and shoulders would descend simultaneously, so posture and gesture would be in harmony. Suppose, though, that your head and shoulders moved upward as your hand came down, or your hand came down in a free, implosive manner—that is, with a kind of a vague, decelerating force. Now your movement suggests that you are making a point on which we all agree, which is the opposite of your intention. Combinations of posture and gesture are called phrasing, and the great communicators are those who match their phrasing with their communicative intentions—who understand, for instance, that emphasis requires them to be bound and explosive. To Bradley, Cesar had beautiful phrasing."
"What the Dog Saw" by Malcolm Gladwell
http://www.gladwell.com/2006/2006_05_22_a_dog.html