This is pretty incredible to watch. I initially thought she must be pulling some kind of trick to make that look so fluid, but the fact that she is making very small typos and correcting them as she goes make it look very believable. This is really the first time I've watched someone use one of these tools and it feel like a musician using a new kind of instrument.
If you go back to the older videos she has like a decade of experience messing around with modular synths to make music live that is actually listenable.
She is also a main developer on the strudel project. If you want to contribute, it is open source:
Yeah, I'm watching more. These are incredible. I really like how she describes what she's doing in tempo with the music as she does it. The description is basically part of the performance. Really unique and engaging approach.
she is a producer, not making anything innovative music wise (she must have done similar things thousands of times), with a long experience in live music, and she is a/?the? core dev of the tool she is using.
honestly i think the planning is at most a few minutes long (once she decides what she will go for) then she probably let the experience talk.
Just to add some context, Strudel is TidalCycles ported from Haskell to JS. IMO, Haskell is a much nicer language for this stuff. Hopefully, now that GHC can output WebAssembly, someone can build a web-based music programming environment around the original TidalCycles instead.
I've watched a couple of her stuff, it's really inspiring and feels very cosy, like a slice of Internet that lives on its own and creates without being too bothered about the Algorithm™.
The person in that video really has an ear for synthesis. I've spent quite some time watching all the strudel videos and this creator consistently shows the best skill across genres.
https://youtu.be/aPsq5nqvhxg