Everyone here tries way too hard to emulate the Musks of the world as if their political beliefs were the reason those guys initially got so rich and successful.
I remember having the 36" version in ~1997. I wouldn't want to guess how much it weighed, it was insane. I remember how impressive it was watching the Fifth Element Laserdisc on it.
I had the first high-def Sonys in the US market. I worked at a high end audio video store in the mid 90s and they gave it to me cheap as they couldn't get rid of it.
Even at 34", the thing weighed 200lbs (plus the stand it came with). I lived in a 3rd floor walk up. I found out who my true friends were the day we brought it back from the store. I left that thing in the apartment when I moved. I bet it is still there to this day.
I'd forgotten how heavy CRTs are. A local surplus auction has a really tempting 30's inch Sony CRT for sale cheap, but when I saw it was over 300lbs I had to pass on it.
I really don't understand how focusing on source quality files is supposed to be a "major issue" with the music preservation community. It's bizarre for them to talk about these being barriers for creating a "full archive of all music that humanity has ever produced" have and their answer be scraping Spotify to end up with a music library comprised of many AI and bulk produced songs at 75/160kbps.
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